Essay

For my final brief I have chosen the story ‘The Erl-King’ from the book ‘The Bloody Chamber’. I wasn’t only looking for a story I like, but also a story I felt I could illustrate well and when reading this one I was already getting some initial ideas of what I could make. My intention was to focus on the theme of confinement and being trapped, represented by caged birds, but also the seemingly peaceful and idyllic atmosphere with a subtle feeling of wrongness that is present throughout the story.
There were no implications of when the story happened and I felt like it wasn’t necessary to specify as the story could take place anytime. Besides reading the book I’ve also watched the movie Pan’s Labyrinth for inspiration and looked up various bird cages. I’ve decided to make the cages a central element of my artwork and even in the picture with no cages, the branches, trees and plants are placed in a way that suggests enclosed space. I’ve mostly used scanned and vectorised drawings, but I also made use of the brushes I’ve made.
Jorge Jacinto art




One of the artists whose work I’ve looked at is concept artist Jorge Jacinto (JJcanvas) who does, amongs other things, great environment paintings. Even though his art style is completely different from my illustrations, I feel like watching his speedpaint videos helped me to improve my art in some ways. I’ve observed what he does to achieve certain effects and then applied it in a way that works for me.








The first piece is a scene from the story where the Erl-King is playing his flute, drawing attention of woodland animals and the narrator alike, almost hypnotizing them. I wanted to capture the atmosphere of the woods, the beauty one might see when they are unaware of the possible danger. When starting this piece, my intention was to do full shading and use some of the plant textures I’ve photographed, but then I felt like the style would be too different from the other two pieces, which have a much more graphic look and only use flat colour. I have never done, or even attempted this style and so I looked for some artists who work with clear, defined shapes and mostly flat colour.
               
 I found the art of Jason Pickthall thanks to his talk at the Uni and his stylised art caught my attention. He uses sharp, bold shapes that give the pieces dynamic quality. Another artist I came across is Juliette Oberndorfer, whose work also interested me with her use of colours. Both of them use more textures or textured brushes in their work which I would like to include in my work in the future. The redesign was very challenging, but I really like the result. This is the picture I’ve decided to turn into a gif because there are so many elements that can be animated, like birds, plants and the Erl-King. When creating the gif, the main problem I’ve faced was how complicated what I had in mind was. Because there were so many moving elements and therefore layers, it was complicated to keep track of everything.

Juliette Obendorfer art


 My second piece was originally supposed to be the cover, but I’ve turned it into a text inspired picture: ‘A wall of trapped birds’ because I felt like I could achieve better results that way and the composition was more suitable for a quote. I tried to keep the colour palette as close to the cover as possible since I’ve recently started focusing on limiting number of used colours, but it’s not the same because those specific colours didn’t work with this picture. The most difficult part of this was finding the words in the bars of the cages. The word ‘birds’ is hard to read, but I’ve decided to trust the viewers to figure it out based on the previous words and the illustration itself. I think this picture illustrates over-crowdedness and captivity quite well. Even the quote is ‘trapped’ in the cages.




The last piece is a book cover. I prefer book covers that are simple and therefore I wanted to do a simple design. It’s just a bird in a cage and a border suggesting the setting of the book. For the title itself, instead of creating a font, I’ve formed the words out of branches, which I think fits the book nicely. The colour palette is limited to 3 shades of green and an accenting gold that appears in the other illustration as well.








Overall I am happy with the artwork I’ve made. Mostly because I’ve managed to push myself to work in style that I’ve had no experience with and despite that the illustrations turned out looking rather nice. I wish I had decided to change the style of the first illustration earlier, though because then I would’ve had more time for it and maybe I would have had chance to experiment with textures a bit.

 (828 words)



Bibliography:
Angelfire.com. (2017). Angela Carter - The Bloody Chamber And Other Stories. [online] Available at: http://www.angelfire.com/falcon/rote/CARTER.html [Accessed 6 Apr. 2017].
 Jason Pickthall :: Concept Artist. (2017). Jason Pickthall :: Concept Artist. [online] Available at: http://jasonpickthall.wixsite.com/jasonpickthall/stylized-art [Accessed 26 Apr. 2017].
 Jjcanvas.tumblr.com. (2017). JJcanvas. [online] Available at: http://jjcanvas.tumblr.com/ [Accessed 15 Apr. 2017].
Julietteoberndorfer.tumblr.com. (2017). JULIETTE OBERNDORFER. [online] Available at: http://julietteoberndorfer.tumblr.com/ [Accessed 5 May 2017].

Pan's Labyrinth. (2006). [film] Spain, Mexico: Esperanto Films.

Final Brief - Process 2 (final pieces)

Cover:
Above is the original rough for the book cover which got basically rearranged and turned into different illustration.
 
I started with a border which I've done with the lasso tool because I wanted clean, sharp edges and the wobbly kind of lines you get with the lasso are perfect for this plant-ish look.
                                                   
At first I wanted to do the title with lasso too, but then I made an ink drawing and it works much better.
                                                   

A wall of trapped birds:






















 Bird-call 
This drawing was initially meant to be fully shaded, I was thinking about using the photo textures in them and I got pretty far before realising that the illustration would not fit with the other two.

Switching to flat colour was very complicated, I didn't know if it would look good or if I would have to remake it again. 

Fortunately, everything turned out better than expected.

I have several versions of the gif because I wasn't sure if all the movements would work so I saved it in multiple stages: 


Also, I was scared that something bad would happen because the file was huge and photoshop was having trouble handling it and I didn't want to risk not having any gif so I exported it after every added movement.